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CVB2 Lesson 19 18 Videos

Lesson 19, the combination of the 2nd and 3rd grip.
In this lesson we will start with only the changing of the 1st finger.
Place the low 1st against the nut of the violin, the high 1st goes against the 2nd finger,
So we use the 2nd finger as reference. (If you get used to this now, let me tell you that we use fingers as references all the time in the positions).
Be sure your 2nd finger stays on its place with a low first.
(It may want to move along downwords).

Downloads of pages and backing-tracks are the buttons below the video.

Lesson 19 combination of the 2nd and 3rd grip.

This is the actual lesson where I will explain everything there is to know about the combination of the 2nd and 3rd grip. (For now with only the first finger).
Be sure to master this video before moving on to the next tabs.

CVB2 Lesson 19 1 Overview grips exerpt

CVB2 Lesson 19 1 Overview grips exerpt

  • Am I playing too fast?
    Hover over the video, click on “1x” and choose your speed.
  • Do you want to repeat part of the video?
    Hover over the video, click on “AB” then set the beginning point with “i” and the end point with “o”.

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Note Names

Learning a different way to read: Note Names.
Why is this important and how will we use this?
This has everything to do with the key-signatures.
Check and see!

CVB2 Lesson 19 2 Note Names exerpt

CVB2 Lesson 19 2 Note Names exerpt

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92a

The Aeolian scale, maybe better known as the natural minor scale.
This is D-Aeolian.

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92b

A-Aeolian scale.

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92c

G-Aeolian scale.

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93 100BPM

This etude is in the key of F-major.
Note that this scale has exact the same notes as the D-aeolian (natural minor) scale, which we practiced in the previous tabs.

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93 120BPM

The etude with a bit more tempo.

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Spiccato 1

A new bowing technique: Spiccato, from the Italian word “Spiccare” (Separate).
We have quite some  ways to play separated notes, like Portato and Martelé, where the bow stays on the string, and the Spiccato, where the bow bounces or jumps on the string.
This video is about the bouncing/jumping technique.
We will study this later in the course, but for now I will explain what it is.

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Spiccato 2

A Spiccato starting with the bow on the string and throwing it up and land again.
This one starts with the up-bow, which we will use in the Menuet by J.B Lully (Tab 95)

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Spiccato 3

Now we will start with the down-bow and add 2 jumps, both on the up-bow.
This prepares us for the Waltzing In Spring song, Tab 97.

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94

We will study Spiccato 2 in a scale.
Play along with me.

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Preparation 95

The Menuet is a dance in a 3/4 time-signature.
This one, composed by J.P. Lully (Barok), uses Spiccato 2 a few times.
Let’s practice those pieces before we can play the Menuet, (Tab 95).

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95

Here it is, the Menuet by J.P. Lully (Barok composer).
You are the first violinist in the string quartet on the Backing Track.
(Download under the video).

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96a

Now we will practice the Spiccato 3 in the scale of F-major, all in preparation for the Waltz in tab 97.

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96b

Triad of F major exercise.
You can practice the bowing variation too, the Waltz (tab 97) will use it a lot!

 

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96c

We will prepare a bit more for the Waltz, playing the F-triad with Spiccato 3.

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Preparation 97

Let’s take a close look to what we will encounter in the Waltz (tab 97).
Study this well and you will be ready for Waltzing In Spring!

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97

Here it is, Waltzing In Spring.
You are playing this with a string quartet!

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